Arundhati Nag reflects on the evolution of the theatre landscape since the inception of Ranga Shankara two decades ago, highlighting its impact on changing perceptions and attitudes towards theatre. Initially viewed as an art form reserved for intellectuals, theatre has now become more accessible and inclusive, thanks to initiatives like Ranga Shankara. Nag notes that while some may still hold outdated beliefs about theatre, many have had their perspectives transformed after experiencing a play at the venue. Over the years, Ranga Shankara has revolutionized the way audiences engage with theatre, even extending to watching performances on weekdays—a once unconventional practice. Nag shares insights into her journey with Ranga Shankara, touching on her aspirations, the challenges faced, and her optimism for the future.
She describes theatre as a close-knit community but also acknowledges her personal attachment to Ranga Shankara, urging for greater dedication and creativity from actors while applauding the innovative work of emerging theatre groups. Nag emphasizes the ambitious vision that drove the establishment of Ranga Shankara and the ongoing commitment to realizing those aspirations. Despite enduring various setbacks and criticisms over the years, she remains steadfast in pursuing excellence and pushing boundaries within the theatre realm.
Nag observes a growing disconnect between traditional folk theatre and contemporary urban performances, noting the changing landscape of theatrical expressions across different regions. She reminisces about her childhood, where theatre transcended geographical boundaries, highlighting the diverse cultural influences that shaped her understanding of the art form.States like Gujarat, Bengal, and Karnataka, among others, united in a collective anti-colonial voice. As India, like many countries, becomes increasingly urbanized, the gap between folk and urban theatre widens. This trend is a global phenomenon that requires ongoing observation. With India's rich diversity in languages and art forms, it is crucial to preserve them for future generations.
At the opening night of Ranga Shankara in 2004, a significant moment was captured. Reflecting on the past 20 years, the growth of theatre in India is evident by the doubling of theatre groups. While this surge means more young enthusiasts are embracing theatre, it is essential to promote the idea that attending plays is enjoyable and valuable.
I admire those who support art, particularly theatre, without imposing restrictions. Their financial contribution is commendable and instills hope that artists can thrive. It is the responsibility of civil society to nurture artists and encourage creative dreams.
Arundhati Nag emphasizes the importance of exploring new avenues, especially for the younger generation who are open to trying new experiences. She believes that the future of the arts lies in theatre, a medium that offers affordable access to high-quality performances and rich cultural experiences.
In a rapidly evolving world, Nag advocates for sustaining generosity and striving for excellence. Throughout her tenure, she has witnessed the impact of embracing diverse opportunities.What I hope remains at the heart of Ranga Shankara even after we are no longer around is its enduring warmth, generosity, and dedication to excellence. Generosity alone can make you seem foolish, while focusing solely on excellence can make you appear snobbish. However, striking a balance between the two is truly invaluable. Arundhati Nag and the late Girish Karnad were spotted mingling with literary figures at the event.
